Dev Singh
Presented by the listeners · an unofficial archive

Dev Singh

Songs, ballads & blues · guitar, autoharp, dulcimer, piano & mouth-bow
Dev Singh singing at a microphone with an acoustic guitar, Bear's Lair cabaret, Berkeley Folk Music Festival, 1 July 1966
Bear's Lair cabaret, Berkeley Folk Music Festival · 1 July 1966 · photo Barry Olivier

He was born in the Valley of the Moon, learned to play in Berkeley, sang at the Greek Theatre at sixteen, drove to Chicago on a whim, and put out seven records on a label he ran himself out of whatever town he happened to be living in. Almost none of it was ever digitised. This is where we keep what's left.

  1. IListen 
  2. IIThe Records1965–2003
  3. IIIThe Archive 
  4. IVSongbook 
  5. VThe Story1950–2021
Rampur Records · R101 · R 201 · R-103 · R-104 · SR-107CD
Act one

Listen

Every recording of Dev Singh's that exists anywhere online, gathered in one place — two rips of a 45 that never got reissued, a dulcimer instrumental he hosted on his own website in 2003, and twenty-five minutes off a reel in a university archive.

Space to play or pause · ← → to skip · sources credited in the About section

Act two

The Records

Seven under his own name, two 45s with no date on the label, and one — Keepers — that we know existed only because he listed it himself. Click any sleeve.

and elsewhere

Other people's records

Label of the 1978 Rampur Records 45 'No Surprizes'
The one everybody wants

No Surprizes

In 1977 a folk singer walked into a Bay Area studio and cut a crossover soul side — horns, a groove, a saxophone break at the end. Rampur pressed it, it went nowhere, and it sat in crates for thirty-five years.

Then the northern-soul diggers found it. They had no idea he had four folk albums. One of them wrote under a YouTube rip: “Think Dev was more of a Psych/Rock artist, but this is certainly not that — a lovely Cross Over soul dancer, a beautifully produced number, and Dev's voice definitely works on this.”

It has never been reissued and it is on no streaming service. Only the flip side, “Maple Leaf Summer,” ever got a second life — he re-recorded it for Heartscape in 1996.

4copies known
119people want one
$173last public sale, 2022
4.91collector rating
Act three

The Archive

Barry Olivier, who ran the Berkeley Folk Music Festival, kept a folder marked Singh, Dev — Box 40, Folder 11. It went to Northwestern in 1974 and was digitised in 2020. Here is all of it: the negatives, the flyers, the letters, and the songs he typed out and mailed off, hoping.

Act four

The Songbook

In September 1969 he recorded a nine-song album in Richmond and San Luis Obispo. It was never pressed. In August 1970 he typed out three more songs and mailed them with a tape. Nobody has heard these recordings — but he typed the words, and the words survived.

Act five

The Story

Assembled from his own letters, his own website, the backs of his own record sleeves, and a university's filing cabinet.

What they said

Press

Some of these he printed on his own website with no date attached — the way a working musician keeps a folder of nice things people wrote. We have not found all the originals yet.

Colophon

About this place

This is an unofficial, non-commercial archive built by people who went looking for one song and fell down a very long staircase. It exists because a folk singer with a gorgeous tenor made seven records over thirty years, mostly paid for out of his own pocket, and then the internet more or less forgot — except for a rare-soul 45 that collectors chase without knowing whose voice it is.

Everything here was already public: an open university archive, a record database, a record label's own catalogue, and the artist's own website as it was captured by the Internet Archive between 2002 and 2016. We host nothing that is commercially available — if you want Heartscape, buy it, it's two clicks away and he should get the money.

Where it came from

  • Berkeley Folk Music Festival Archive, Northwestern University Libraries — photographs, letters, flyers, the 1966 reel, the typed song sheets. Digitised and made public in 2020.
  • Discogs — sleeve and label scans, credits, pressing details, the numbers on the 45.
  • devsingh.com, 2002–2016, via the Internet Archive — the biography, the press quotes, the tour dates, and two MP3s he put up himself.
  • Smithsonian FolkwaysGay & Straight Together and its liner notes.
  • Sing Out!, AllMusic, The Daily Californian, Berkeley Barb, Berkeley Daily Gazette — reviews and notices.
  • YouTube uploaders Davey Boy, Christian Peintner, Goblins Garage and Psych Spaniolos, who put these records online first and asked nothing for it.

A note to Dev

If you have found this: nobody here is selling anything, and nothing on this page is meant to embarrass you. We think the records are wonderful. If there is anything you would like changed, corrected, or taken down, say the word and it's done, no argument and no delay. And if you ever want to tell the story yourself, there is a room full of people who would listen.

Wanted

Open questions. If you can close any of these, you will be the first person on earth to do it.

  • Keepers (1992). Listed by him, seen by no one. LP? Cassette? CD?
  • Oasis Acoustic (1997). Which volume, and which song?
  • England, 1974. He played over there. Somebody's folk club had him on a Tuesday night.
  • A stage name. Family recollection says he may have used another name early on — possibly “Graham.” Nothing in any record, label, letter or archive supports it yet.
  • The 1969 demo tape. Nine songs. Richmond and San Luis Obispo. John Jacob engineered.
  • Anything you taped. Coffeehouse sets, festival sets, a cassette dubbed off a friend.

Corrections and contributions are the entire point of a site like this. Bring us a scan, a ticket stub, a memory, a tape.

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